LA Creative landing page featuring interactive instructions and vintage cinema imagery. Top left displays functional menu options: 'menu Options on TOP', 'mouse out to PLAY', 'mice in to PAUSE'. The LA Creative logo appears as a black square with the company name and tagline 'CinemaEmbrace' below. The composition centers on a black-and-white illustration of a relaxed figure reclining on a bench, positioned beneath two large professional film lights mounted on tripods, their beams forming a dramatic flower-petal pattern behind the figure. To the left sits a tan-colored cinema free pass ticket labeled 'CINEMA FREE PASS' dated 9/01/12 with 'LACREATIVE.COM' printed on it. The baseline reads 'Empower Your Imagination' in a dark banner at the bottom right, anchoring the composition.
LA Creative director portfolio page featuring Lourds Ambrose and service offerings in color. Left side displays text: 'director of photography Lourds Ambrose' in gray serif font, followed by 'film/digital Cinematography' below. The LA Creative logo appears as a dark blue square with green 'la' lettering and 'creative' text, with 'Lourds ambrose' tagline underneath. The composition centers on a black-and-white illustration of a relaxed figure reclining on a bench, positioned beneath two professional film lights on tripods. Unlike the initial slide, the light beams now form a vibrant orange-red flower-petal pattern radiating behind the figure. A soft pale-green background grounds the lower portion of the composition. The baseline reads 'Empower Your Imagination' in a dark banner at the bottom right.
LA Creative project showcase slide for 'Full Circle,' featuring a striking close-up portrait on the left. The photograph captures the face of a person with vibrant reddish-orange hair and bright blue eyes against a black background, showing half the face in sharp focus with intimate detail. The right side displays project information in gray serif text: 'working title:' followed by 'Full Circle' in italics. The synopsis reads: 'Full Circle is based on true life story of prostitutes, drug addicts, teenage runaways strippers, police stings and taxi cab confidential within a system that stems out of dysfunctional families given the modern day pressures of needs within the life, living, and survival.' A second paragraph continues: 'Emotional thriller that reveals the facts of lives, while allowing a reflection on oneself finding a way to make this universe a better place with moral values in check.' Attribution appears at bottom right: 'director of photography' followed by 'Lourds Ambrose' in dark serif font.
LA Creative upcoming project slide for 'Under the Overpass,' featuring promotional text and book cover. Left side displays announcement in gray serif font: 'COMING SOON' followed by 'a Matt Russell film.' The main title reads 'A JOURNEY OF FAITH ON THE STREETS OF AMERICA' in capitals. Synopsis states: 'Based on True story of two teenage runaways into homelessness, resulting in a human transformation.' Additional text reads: 'A thought provoking movie about life, love, human compassion and God's Grace...' Attribution at bottom: 'director of photography' followed by 'Lourds Ambrose' in dark serif font. The right side displays the book cover for 'Under the Overpass' featuring a red banner at top reading 'FOREWORD BY FRANCIS CHAN' and 'MORE THAN 100,000 COPIES SOLD.' The cover shows a sepia-toned photograph of a person seated against a wall holding an acoustic guitar, surrounded by scattered photographs. The book title 'UNDER THE OVERPASS' appears in white letters, with subtitle 'A JOURNEY of FAITH ON THE STREETS OF AMERICA' below. Author credit reads 'MIKE YANKOSKI' at bottom with 'UPDATED AND EXPANDED EDITION' noted.
LA Creative project showcase slide for 'Goldmine,' featuring project description and atmospheric photograph. Left side displays text in gray serif font: 'Goldmine' in italics followed by 'inspired by true stories: From the eyes of a photographer unveils the oldest profession in a thought provoking manner telling a gripping story.' Additional text reads: 'The movie reveals Helplessness, Loneliness, Love and Compassion in a way never told before. Movie draws the audiences through emotional roller coaster of reflection on Ordinary Human beings under Extraordinary Circumstances.' The narrative concludes with 'The keynote of the movie references notes from Saint Theresa of Kolkata:' followed by an italicized quote: 'The greatest pain in human kind is loneliness.' Right side features a black-and-white photograph with deliberate soft focus and blur, depicting a solitary figure seated in a minimalist landscape against a flat horizon. The title 'goldmine' appears in gray text at top right. Attribution at bottom right reads 'director of photography' followed by 'Lourds Ambrose' in dark serif font.
LA Creative project slide for 'System Failure,' featuring intimate black-and-white photograph and project description. Left side displays a close-up photograph of two hands clasped together, suggesting connection and vulnerability, with visible signs of age. Text overlaid on the photograph reads 'They thrive on Other Peoples' Money' in gray serif font, with 'Other Peoples' Money' emphasized in red italics. Top right displays attribution: 'director of photography' followed by 'Lourds Ambrose.' The right side contains the working title and synopsis: 'System Failure' in italics 'inspired by actual events of Elderlies in the United States is a comedy? Not really but is a serious dramatic comedy that reveals the secrets of lives of old people forced into a system which is yet to be understood.' The bottom spans full width with extended description: 'When Love takes the form of Greed that forces normal humans to pursue the unimaginable: The movie explores short lives of heart broken husbands and weeping widows in their old age depending on their family for reassurance. However the greed puts the destiny of the elders at the mercy of legal system which is supposed to protect the elderlies under the guidance of the State. The tragic journey reveals abuse without mercy that no one wants to look into, while revealing the cost of doing business with OPM.' The acronym 'OPM' appears in red at the end.
LA Creative project slide for 'Camel,' featuring a split composition and narrative text. Left side shows a striking divided image: the upper half displays a close-up portrait of a person's eyes and face framed by black fabric, suggesting cultural or religious veiling; the lower half transitions to a golden desert landscape with shadows of camels cast across rippled sand. The title 'Camel' appears in white serif font at the center where the two images meet. Bottom left displays attribution: 'director of photography' followed by 'Lourds Ambrose.' Right side contains full project synopsis in gray serif font: 'Based on True story of a group of immigrants arrive with visas for their dream jobs but end up riding camels in the hot desert, and harsh labour. During their scheme of escape plan, one falls in Love with local sheik's daughter which delivers a drama of innocent immigrants who ends up arrested during their quest for human rights and freedom.'
LA Creative production showcase slide for 'Lucky Angel' film project, featuring movie poster and behind-the-scenes cinematography. Left side displays the film's promotional poster against a blue sky with white clouds background. Text at top reads in red: 'He found a little piece of heaven . . . here on earth.' A red lip icon appears above the central image showing a man and woman in an intimate embrace. A vibrant magenta-pink mansion sits prominently in the composition. The title 'LUCKY ANGEL' appears in large magenta letters at center, with white angel wings illustrated at the bottom. Production credits run along the bottom in small type. Right side shows a color photograph capturing the filmmaking process: two crew members operate a professional motion picture camera in an interior setting with shelving visible in the background, demonstrating active cinematography work. Attribution at right reads 'director of photography' followed by 'Lourds Ambrose' in gray serif font.
LA Creative production slide for 'Therese,' featuring biographical film poster and behind-the-scenes cinematography documentation. Left side displays the film poster with text at top in rust-colored italic font reading 'The true story of Saint Therese of Lisieux.' The poster showcases a woman's face with closed eyes wearing a white religious head covering or nun's veil. Her lips are painted red, and red roses are integrated throughout the composition. The title 'Therese' appears in ornate gold serif lettering, followed by the tagline 'A LEONARDO DEFILIPPES FILM.' Descriptive text on the poster reads 'Ordinary Girl. Extraordinary Soul.' Production credits appear in small type at the bottom. Right side displays two color behind-the-scenes photographs capturing the filmmaking process: the top image shows a cinematographer operating a Panavision camera mounted on equipment outdoors with trees visible in background; the bottom image captures another production moment with camera equipment and crew working on location outdoors. Attribution at right reads 'director of photography' followed by 'Lourds Ambrose' in gray serif font.
LA Creative production slide for 'amu,' featuring film poster and behind-the-scenes cinematography. Left side displays the film poster beginning with a critical quote at top in white text: 'A first rate detective story...Rose is a fearless film maker who certainly knows how to tell an engrossing tale without compromising political viewpoint' attributed to Hollywood Reporter. The poster features a close-up portrait of a woman with dark hair and serious expression, gazing sideways. The title 'amu' appears in large blue and white lettering. A layered street scene with buildings and multiple figures occupies the compositional background, rendered in muted tones. Multiple festival laurels and award badges line the bottom, signifying international film festival recognition. Production credits appear in small type, including 'JIHADI PRODUCTIONS' and additional crew information. Right side displays a color behind-the-scenes photograph showing a cinematographer in a tan-brown shirt operating professional cinema camera equipment marked with yellow and black accents. The operator wears a credential pass and is captured in warm, golden lighting. Attribution at right reads 'director of photography' followed by 'Lourds Ambrose' in gray serif font.
LA Creative production slide for 'Zara Si Bhool,' featuring film poster and behind-the-scenes cinematography. Left side displays film poster with headline text at top in white capitals reading 'MURDER MYSTERY SHOT ENTIRELY IN USA.' The poster composition features three faces: a woman with long blonde hair wearing sunglasses emblazoned with the text 'HOLLYWOOD,' and two male faces positioned behind her. A woman with dark hair, dramatic makeup, and bold red lips dominates the upper center. A red rose motif appears in the composition. The title 'ZARA SI BHOOL' appears in large red letters at the bottom, with a cityscape—depicting New York or a major American metropolis—in warm, muted tones below. Production credits run along the bottom in small type, listing production companies and cast and crew information. Right side displays a black-and-white behind-the-scenes photograph capturing a cinematographer operating professional film equipment. The operator wears a wide-brimmed hat and leather jacket, photographed in a profile angle that emphasizes the technical work of cinematography. Attribution at right reads 'director of photography' followed by 'Lourds Ambrose' in gray serif font.
LA Creative production slide for 'Pappor's Blues,' featuring music-themed film poster and behind-the-scenes cinematography. Left side displays a poster with prominent red lettering reading 'PAPPOR'S BLUES hall LOCAL' at the top. A black-and-white photograph of a guitarist dominates the left portion of the poster, showing a musician with an electric guitar rendered in high contrast. The word 'hall' appears in white script lettering, with additional text in red reading 'cassettes compactos' in the lower section. Small production logos and additional credits appear at the bottom of the poster. Right side shows a black-and-white behind-the-scenes photograph capturing two men in active cinematography work: one man in the foreground wears a fedora-style hat and operates professional film camera equipment, while a second man stands behind him wearing a dark t-shirt with text graphic. The intimate framing emphasizes the collaborative nature of filmmaking. Attribution at right reads 'director of photography' followed by 'Lourds Ambrose' in gray serif font.
LA Creative production archive slide for 'Deson Pardes,' featuring behind-the-scenes cinematography and vintage film poster. Left side displays a black-and-white behind-the-scenes photograph capturing the filmmaking process on location in an urban setting with brick buildings visible. A cinematographer operates professional film equipment while multiple crew members surround the camera setup. A ladder is visible in the background. Vertical text along the left edge reads 'director of photography Lourds Ambrose' aligned with the image. Right side features the original colorful film poster for 'Deson Pardes' with 'ASIAN FILMS INTERNATIONAL presents' credited at top in English. The poster displays Punjabi script text at the very top. The main title 'DESON PARDES' appears in large yellow letters at the bottom. 'L. S. PABLA'S' precedes the title, and directorial credit reads 'DIRECTOR YOGESH CHHABRA' with 'MS LTD, BOMBAY' noted at the bottom. The poster composition features a collage of multiple actors: a couple embracing at the top, a woman in vibrant traditional South Asian dress with jewelry in the center, and additional ensemble cast members arranged throughout. The poster employs warm golden, orange, and sunset tones characteristic of vintage South Asian cinema promotional materials.
LA Creative press and critical acclaim slide featuring compilation of professional film reviews and publication mastheads. The slide presents overlapping newspaper and magazine clippings arranged in a three-dimensional perspective layout. Top left features 'The Tribune' masthead with 'Spectrum' section header in red. The review by Ervell E. Menezes discusses 'Amu, Shonali Bose's debut film is outstanding,' describing performances and noting that 'Lourds Ambrose deserves special mention' in yellow highlight, praising the cinematographer's work in capturing ambience. Center-right displays 'The New York Times' masthead with a review by Rachel Saltz by-line discussing 'moments of considerable charm' and 'Bollywood song' sequences. Bottom features 'Los Angeles Times' masthead. Left side displays 'The Reporter' publication with partial review text in light pink italics reading 'Bose is fearless film maker...Who knows how to tell an engrossing tale without compromising.' Additional decorative text along the left edge in pink reads 'News Clips Chasing Perfection.' The overall composition creates a tactile, collage-like aesthetic suggesting professional critical recognition and media coverage.
LA Creative professional credentials and philosophy slide for cinematographer Lourds Ambrose. The slide presents text-based content against a subtle watermarked background. Left side displays pink italic text reading 'Human Rights Drama based on true story.' Main body text in gray serif font reads: 'amu' cinematographed by Lourds Ambrose gained official selections into Berlin, Toronto & AFI Film Festivals, including +40 international film festivals. Awards include FIPRESCI/Critics Award, National Award/India.' Additional paragraphs follow: 'Working style of Ambrose reflects Creativity w/Simplicity, collaborative dedication towards designing his cinematography for a cost/time efficient production.' The final paragraph states: 'He empowers the screenplay/the director's vision by evoking thought provoking emotions on the screen without pulling audience out of the story towards cinematography.'
LA Creative achievements and expanded professional role slide for cinematographer Lourds Ambrose. Left side displays pink italic text reading 'Period/Drama based on true events.' Main body text in gray serif font reads: 'Therese' cinematographed by Lourds Ambrose filmed in USA/France/Italy with awards including First place in the International Third Millennium Film Festival People Choice Award competing with films from 25 countries, including Mexico's Oscar contender, Al Otro Lado. Additional text continues: 'Ambrose was honored by the production company with 'Consulting Producer' credit for his exceptional collaboration. He positioned this independent film for strategic distribution, negotiated with the Studio Executives and Media Moguls for a North American Theatrical Release of the film outranking many main stream films at the Box Office. DVD and motion Picture Sound Track distributed by Universal Pictures.'
LA Creative professional biography slide for cinematographer Lourds Ambrose. Centered gray serif text reads: 'Lourds Ambrose empowers the imagination of film directors worldwide, has brought passion and emotion to the widescreen for more than two decades.' Second paragraph states: 'Mentored under world-renowned commercials cinematographer Curtis Clark, ASC., (known for L'Oreal commercials), and feature films cinematographer Jordan Chronenwith, ASC., (Blade Runner).' Third section reads: 'Ambrose is one of the sought after cinematographers in Hollywood, and enjoys working with emerging writers and directors on films based on true story...' Location attribution appears at bottom right in gray text: '(Hollywood, CA)'
LA Creative final biographical and credentials slide for cinematographer Lourds Ambrose. Centered gray serif text reads: 'When not playing with Cinematography, Lourds Ambrose hangs out in lavish ever-green Portland, Oregon. Lourds worked under world renowned commercial directors including David Fincher, Danny Ducovny, John dykstra, Rocky Morton on commercials including: Levis, Miller Lite, Miller Genuine Draft, Avia, Reebok, Pizza Hut, Polykur, Dupont, Durosoft, Dite Rite, Ocean Spray, Seagram's Calorie Quest...' Text continues: 'His consulting credits include for Warner Bros., New Line cinema, Showtime, One Heart Production, Luke Films...' Final paragraph states: 'His feature films Therese and Amu won numerous International Awards, including International MTV Award for his music video Pappos based on route 66'

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